For almost fifteen years now Pascal Comelade and the Catalan poet have shared intense activity on stage. Usually accompanied by the outlandish, the poet and the musician create in their recitals a show in which the rhythm and the word merge while the rapsoda and the creator of toy symphonies get closer, until they become a single figure of fuzzy contours and changing profiles. for those who are not familiar with his invaluable literary production, he is one of the most outstanding figures of Catalan poetry in recent times. A radically singular author unaware of the fear of misunderstanding that has been made with less than respectful postulates with the respect of the critics and with some of the most prestigious recognitions of Catalan letters such as, for example, the Joan Alcover, Ausiàs March and Carles awards Riba, among others.